{"id":16590,"date":"2026-01-15T17:25:53","date_gmt":"2026-01-15T09:25:53","guid":{"rendered":"https:\/\/megaportfest.com\/portfolio-item\/the-flaming-lips-14-11\/"},"modified":"2026-03-05T21:08:58","modified_gmt":"2026-03-05T13:08:58","slug":"the-flaming-lips-14-11","status":"publish","type":"portfolio","link":"https:\/\/megaportfest.com\/en\/portfolio-item\/the-flaming-lips-14-11\/","title":{"rendered":"Crescent Lament"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-rf73js-497cc3d7b64fe64736358b1a669a3697\">\n.avia-section.av-rf73js-497cc3d7b64fe64736358b1a669a3697{\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/megaportfest.com\/wp-content\/uploads\/2021\/12\/party.jpg);\nbackground-position:50% 50%;\nbackground-attachment:scroll;\n}\n.avia-section.av-rf73js-497cc3d7b64fe64736358b1a669a3697 .av-section-color-overlay{\nopacity:0.6;\nbackground-color:#0a0a0a;\n}\n<\/style>\n<div id='av_section_1'  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src=\"https:\/\/megaportfest.com\/wp-content\/uploads\/2026\/01\/FB_\u6f14\u51fa\u78ba\u8a8d_\u6046\u6708\u4e09\u9014.png\" alt='' title='FB_\u6f14\u51fa\u78ba\u8a8d_\u6046\u6708\u4e09\u9014'  height=\"1200\" width=\"1200\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/megaportfest.com\/wp-content\/uploads\/2026\/01\/FB_\u6f14\u51fa\u78ba\u8a8d_\u6046\u6708\u4e09\u9014.png 1200w, https:\/\/megaportfest.com\/wp-content\/uploads\/2026\/01\/FB_\u6f14\u51fa\u78ba\u8a8d_\u6046\u6708\u4e09\u9014-200x200.png 200w, https:\/\/megaportfest.com\/wp-content\/uploads\/2026\/01\/FB_\u6f14\u51fa\u78ba\u8a8d_\u6046\u6708\u4e09\u9014-1030x1030.png 1030w, https:\/\/megaportfest.com\/wp-content\/uploads\/2026\/01\/FB_\u6f14\u51fa\u78ba\u8a8d_\u6046\u6708\u4e09\u9014-80x80.png 80w, https:\/\/megaportfest.com\/wp-content\/uploads\/2026\/01\/FB_\u6f14\u51fa\u78ba\u8a8d_\u6046\u6708\u4e09\u9014-768x768.png 768w, 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sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-16590'><div class='entry-content-wrapper clearfix'>\n<div class='flex_column_table av-4tz4d4-3c29a75b8f8ddf5364d3c2b59d6c710b sc-av_one_full av-equal-height-column-flextable'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-4tz4d4-3c29a75b8f8ddf5364d3c2b59d6c710b\">\n.flex_column.av-4tz4d4-3c29a75b8f8ddf5364d3c2b59d6c710b{\nborder-width:1px;\nborder-color:#808080;\nborder-style:solid;\npadding:30px 30px 30px 30px;\nbackground-color:#0d0d0d;\n}\n<\/style>\n<div  class='flex_column av-4tz4d4-3c29a75b8f8ddf5364d3c2b59d6c710b av_one_full  avia-builder-el-15  el_before_av_hr  avia-builder-el-first  first flex_column_table_cell av-equal-height-column av-align-middle av-animated-generic bottom-to-top  '     ><section  class='av_textblock_section av-m5tkrtp8-d4b322cb8021868e1b3742dafd65ad50 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Founded in 2007, Crescent Lament\u2014a band that was specially mentioned and recommended by heavy metal band Chthonic\u2019s leader Doris Yeh in an exclusive interview published by the magazine Terrorizer in 2011\u2014is a folk metal band of the island country of Taiwan in East Asia.<\/p>\n<p>By integrating sorrowful stories in Taiwan with folk metal music, Crescent Lament presents to listeners aesthetic melodies with a touch of grief. With relentless efforts, their work is recognized by prominent artists. In 2009, the band opened Lacrimosa\u2019s Sehnsucht world tour concert in Taiwan. Subsequently Crescent Lament was invited by Chthonic to open their world tour concert in Taipei. In Epica\u2019s 2013 world tour, Crescent Lament served as the support band of Taipei concert. In 2015, the band once again earned the opportunity to open Lacrimosa\u2019s UnterWelt tour and Xandria\u2019s Fire &amp; Ashes tour in Taiwan.<\/p>\n<p>In addition to the local concerts and festivals, Crescent Lament has been dedicating their efforts to spread Taiwanese cultures and music worldwide, and constantly interacts with foreign audiences through global social medias and overseas festivals. Among them, Crescent Lament attended Metal Female Voices Fest Xlll (2016) in Belgium and F:F:F\uff0dFormosa : Finland : Fest. (2025) in Finland, and got positive feedback from listeners and music critics.<\/p>\n<p>Crescent Lament released their debut album Behind the Lethal Deceit in 2011. Inspired by the civil wars in the former Yugoslavia, Crescent Lament related the tragic history in the country to Taiwan. Sharing a similar historical context, Taiwan has seen ethnic conflicts and outside invaders, which offered an anti-war theme to the album. The band ingeniously borrowed the dark and sorrowful elements from metal music to depict the foolishness and vice of war. Behind the Lethal Deceit has drawn attention of international music critics and received applauses.<\/p>\n<p>In 2015, Crescent Lament released their second album Elegy for the Blossoms. Elegy for the Blossoms is a conceptual album recounting the sorrowful story of a Taiwanese geisha that happened in the late Japanese period and early Chinese Nationalist Party period in Taiwan\u2019s history. The main character, A-hiong, was developed based on the life of Taiwanese geishas in history, and the story describes the helplessness of Taiwanese geishas behind their smiles when greeting their clients, as they had no say over their own lives. Different from the first album, Elegy for the Blossoms was written in Taiwanese, and blends Taiwanese history, culture, and metal music, while using traditional Taiwanese and Japanese instruments to create a sorrowful yet beautiful atmosphere. The album cover was designed by the well known Taiwanese illustrator KCN, with a modern retroactive image.<\/p>\n<p>Crescent Lament\u2019s third album Land of Lost Voices was released in 2020. A sequel to their second album, the story continues from where Elegy for the Blossoms left off: the unfinished romance between A-hiong and her lover. Using the red thread of fate that binds the star-crossed lovers, this concept album fishes out from the river of time a heartrending tale of Taiwanese people\u2014for all to see. Land of Lost Voices was recorded and produced by Jesse Liu (Chthonic\u2019s guitarist), mixed by Sweetspot Studio in Sweden, and mastered by Finnvox Studios in Finland. The band collaborated with Bu-hio\u0302ng, the winner of Best Lyrics of Golden Melody Awards, in writing the Taiwanese lyrics, and invited the illustrator KCN again to design a noir yet oriental album cover, a visual metaphor for a series of historical tragedies that battered Taiwan in the post-WWII era.<\/p>\n<p>Crescent Lament&#8217;s latest work The Folded Memory (EP) was released in October, 2025.<\/p>\n<p>\u2022 Members:<br \/>\n&#8211; Vocals Muer Chou<br \/>\n&#8211; Drums Komet Chou<br \/>\n&#8211; Guitars Wat Chiu<br \/>\n&#8211; Bass Wick Hsu<br \/>\n&#8211; Erhu Jedi Yeh<br \/>\n&#8211; Keyboards Sebasti\u00e1n Wei<\/p>\n<p>\u2022 Major Tour Archive:<br \/>\n&#8211; Megaport Festival, Kaohsiung, 2018<br \/>\n&#8211; Beastie Rock Festival 7.0, New Taipei City, 2017<br \/>\n&#8211; PengHu Rock Festival, 2017<br \/>\n&#8211; Wake Up Festival, Chiayi, 2017<br \/>\n&#8211; Spring Scream, Kenting, 2017<br \/>\n&#8211; Metal Female Voices Fest Xlll, Wieze (Belgium), 2016<br \/>\n&#8211; The Next Big Thing, Taipei, 2016<br \/>\n&#8211; Beastie Rock Festival 6.0, New Taipei City, 2016<\/p>\n<\/div><\/section><\/div><\/div><!--close column table wrapper. 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